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  <a href="https://www.architecturaldigest.com/gallery/how-annabelle-selldorf-is-updating-the-frick-collection" style="color:#d3c713 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/c8ff025c-f0a9-42ab-8d49-153992509414/Capture+d%E2%80%99e%CC%81cran+2025-04-11+a%CC%80+11.10.34.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.5407911001236093em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class=""><em>I’m Still Here </em>is a 2024 Brazilian film directed by Walter Salles. Based on a true story, this well received drama takes place during the 1970s military dictatorship in Rio, Brasil. Following the Paiva family, the film mainly focuses on its dynamics and how it helps Eunice, the mother of five children, going through the uncertainty of her husband’s faith, Rubens, after he’s been taken away to be questioned by the authorities.&nbsp;</p><p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class="">Eunice Paiva will spend her whole life trying to get justice for Rubens’ memory and make it public. The film’s pacing starts off as slow and immersive, allowing us to attach to each character and really dive into their everyday life.</p><p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;height:1.618em;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class=""></p>
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  <a href="https://aapohuhta.com/Gravity " style="color:#d3c713 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/27565eae-4a22-4fb3-91fe-705363ec2619/Screenshot+2025-04-11+at+17.07.42.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.5407911001236093em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class=""><strong>"Toy Stories: Photos of Children from Around the World and Their Favorite Things"</strong> is a book by Gabriele Galimberti, featuring photographs of children proudly posing with their toys. Originally published in 2014, it may not be brand new, but we thought it would make a wonderful addition to this month’s theme, while also touching on the role of interior design in storytelling.</p><p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class="">The book is the result of two years of work, covering more than 50 countries — from Malawi to Texas. One consistent theme Galimberti observed was that whether a child had 20 toys or just one, they always showed them off with incredible pride, often radiating the same innocent joy.</p><p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class="">As Galimberti puts it: <em>"Whether the child owns a veritable fleet of miniature cars or a single stuffed monkey, the pride that they have is moving, funny, and thought-provoking."</em> This piece not only reminds us of how united and similar children are, regardless of background or origin, but also serves as a beautiful reminder that pride in what you own isn’t about quantity or monetary value — it's about the sentimental meaning we attach to it.</p><p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class="">This novel is also a great tool in learning about people’s relation to our interior in various socioeconomic ranges of families across the globe.</p><p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class="">The images above are the pictures of:&nbsp;</p><ul data-rte-list="dash" type="dash" style="padding-left:25px;"><li style="margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;"><p class="" style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;">Zi Yi, 3 - Changing China</p></li><li style="margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;"><p class="" style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;">Taha, 4 - Beirut Lebanon</p></li></ul><p style="color:inherit;font-size:.875em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;line-height:1.2;margin-top:12pt;margin-bottom:12pt;" class=""> </p>
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      <h4 style="color:inherit;margin:1.414em 0 .5em;line-height:1.25em;font-size:1.41575em;mso-line-height-alt:1.41575em;margin-top:0;margin-bottom:0;font-family:'Franklin Gothic Bold', 'Bitstream Vera Sans Bold', 'Arial Black', sans-serif;font-weight:700;letter-spacing:.03em;"><em>April</em>, Dea Kulumbegashvili, 2024</h4>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/842354af-8806-43ce-9dc2-adf30755e7a1/Capture+d%E2%80%99e%CC%81cran+2025-04-11+a%CC%80+11.24.35.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.5407911001236093em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;">


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      <p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class=""><em>April </em>is<em> </em>a Georgian film directed by<em> </em>Dea Kulumbegashvili. It portrays a woman through her profession as a doctor but mostly focuses on the illegal abortions she does, as no one else will take this crucial role. Despite the risks she is facing and after being accused for a newborn’s death, she continues to help different women in need of this intervention. Nina, that main character, remains quite mysterious as the audience is given only little information about her personal life.&nbsp;</p><p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class="">There is a constant underlying tension that is enhanced with the dull visuals and colors alternating with vivid images and close ups of nature. Echoing strongly with <em>Under the Skin</em> (2013) directed by Jonathan Glazer for its alien-like body appearances at times as well as its feminist themes, <em>April </em>is an experience anyone should be confronted to.</p>
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  <a href="https://www.designboom.com/art/christo-jeanne-claude-jr-projet-pont-neuf-wrapped-paris-france-art-installation-cave-grotto-12-14-2024/" style="color:#d3c713 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/834e858c-fe0a-4823-bda9-b62849192a72/Screenshot+2025-04-11+at+17.10.15.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.5407911001236093em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class="">In collaboration with the advertising firm TBWA, artist Stuart Semple launched an OOH (Out-of-Home) campaign against hostile architecture this past July 2024.</p><p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class="">By <em>hostile architecture</em>, we’re referring to design elements in public spaces intended to keep people away. Specifically, Semple focuses on features integrated into urban environments that aim to prevent homeless individuals from finding shelter. Some examples you might have come across include metal spikes placed in doorways to make sleeping impossible, or metal dividers installed on benches to prevent people from lying down.</p><p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class="">According to Semple, <em>"[Hostile design] is a perversion of creativity, something used against humanity."</em> Almost invisible to the untrained eye, these additions to public spaces actually work against the very idea of what “public” should mean, putting an already vulnerable part of the population at an even greater disadvantage.</p><p style="color:inherit;font-size:.875em;line-height:1.618em;margin:0 0 1.25em 0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;font-weight:700;text-align:justify;white-space:normal !important;" class="">By making the campaign's photographs life-sized, Semple makes the message all the more striking and immediate, confronting viewers with the full scale of this silent, yet violent, reality. Some of the slogans featured in the campaign read, <em>"As if being homeless isn’t painful enough,"</em> and <em>"Homelessness is spiking,"</em> drawing sharp attention to the absurdity of investing in hostile infrastructure rather than supporting homeless individuals. Instead of focusing efforts on helping people off the streets and into shelter, these measures make public spaces increasingly unwelcoming.</p>
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