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    <a class="brand-logo-link" href="https://www.luciehatt.com/" style="color:#0e8ac4 !important;"><img class="brand-logo" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/5912268c-76a8-4b41-a66f-d9b032ec1d40/LOGO+DS.png?content-type=image%2Fpng&amp;format=750w" height="96" alt="Lucie Hatt's Portfolio" style="font-size:.7501875468867217em;display:block;border:0;text-decoration:none;line-height:0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#000;height:auto;max-height:96px;max-width:100%;width:auto;"></a>
    
  

      
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      <h2 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.3685930369999997em;mso-line-height-alt:2.3685930369999997em;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:-.03em;text-align:center;"><strong>Our Monthly Favourites</strong></h2><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:center;" class="">Women of January</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.776889em;mso-line-height-alt:1.776889em;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:0em;line-height:1.2em;margin-top:0px;margin-bottom:0px;"><strong>Yasmeen Lari</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">“We need to decolonise, decarbonise and democratise”</p>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;">Known for being Pakistan’s first female architect, this Oxford School of Architecture alumni has been internationally celebrated for her innovative designs and humanitarian efforts. Indeed, after just returning back to Pakistan following her university degree, Lari opened her architecture firm; Lari Associates. There, she focused on large-scale builds as well as the creation of homes for families being victims of natural catastrophes such as earthquakes and floods. </p><p style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;text-align:justify;white-space:normal !important;" class="">                      </p></div>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.776889em;mso-line-height-alt:1.776889em;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:0em;line-height:1.2em;margin-top:0px;margin-bottom:0px;"><strong>Es Devlin</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">“When a bird flies through this garden, it doesn’t know it’s not allowed to go anywhere so it just goes everywhere”</p>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;">Es Devlin is an English artist and stage designer who gained international recognition from her extensive impact in the theatre world as well as the world of music production. Indeed, if she started by taking on a degree of English Literature at the Bristol University, she eventually came to realise that her passion was intricately linked with the stage and, after an arts foundation as the Central Saint Martins college, specialised her practice in set design. As her career progressed, she started taking on international projects such as designing the UK Pavillion at the 2020 World Exposition in Dubai. </p><p style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;text-align:justify;white-space:normal !important;" class="">                      </p></div>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">In 2015 she was appointed to the Order of the British Empire as well as Commander of the Order of the British Empire in 2022. From co-designing with artist Yinka Ilori the Brit Awards Statuettes to taking part in the production of the Super Bowl Halftime Show, Delvin has gradually established herself as an icon of set design. After three Emmy Awards won in 2022 during the halftime show, her work with musician Adele later that same year for her performance at Griffith Observatory went on to winning another five of these awards. Her career has been punctuated by successful collaboration with artists such as Beyoncé, Adele, U2, The Weeknd, Lorde and worked with institutions such as the Royal Opera House in London, making her a “polymathic creative” (Financial Times, October 24) of reference. </p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.776889em;mso-line-height-alt:1.776889em;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:0em;line-height:1.2em;margin-top:0px;margin-bottom:0px;"><strong>Paola Antonelli</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">"design has been kind of neglected or misconstrued as decoration or as an embellishment" </p>
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  <a href="https://www.moma.org/magazine/articles/211" style="color:#0e8ac4 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/5ed7f85a-4a4c-43d3-aaaa-b5d50e5ba788/Screenshot+2025-01-02+at+16.13.01.png?content-type=image%2Fpng&amp;format=750w" width="297" alt="" style="font-size:.7501875468867217em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;"></a>


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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;">To correctly describe Paola Antonelli’s practice takes time. Indeed, this Italian architect, professor, curator, author and editor has been established as one of the chief design visionaries of the 21st century. After graduating from the university Politecnico di Milano with a laurea degree in 1990, Antonelli went on to participate in the curation of exhibitions across Europe, having never actually practised as an architect. She was a contributor to the magazine Domus (from 1987-1991) as well as the design editor (from 1992-1994) of the Abitare magazine and even taught a course in design theory at the prestigious Harvard University Graduate School of Design in 2003. </p></div>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">Her most significant move however was the start of her career at the Museum of Modern Art (MoMA) of New York in 1994 where she started out as a curator in the Department of Architecture and Design. One year later came out her first exhibition titled: Mutant Materials in Contemporary Design. She has since then become the Senior Curator of Architecture and Design at MoMA and has received an honorary doctorate from the Royal College of Art.In 2005, she was described by the TIME magazine as “one of the 25 most incisive design visionaries in the world” (2007).</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.776889em;mso-line-height-alt:1.776889em;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:0em;line-height:1.2em;margin-top:0px;margin-bottom:0px;"><strong>Adèle Haenel</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">Initiator of the MeToo in French Cinema</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/6445ddde736e7442038f81f6/93dfab06-d381-4e2a-bc05-a465a8fb5732/Capture+d%E2%80%99e%CC%81cran+2025-01-03+a%CC%80+14.26.37.png?content-type=image%2Fpng&amp;format=750w" width="297" alt="" style="font-size:.7501875468867217em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">


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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;">Adèle Haenel is a French actress mostly known for Portrait of a Lady on Fire (Céline Sciamma, 2019) starring herself and Noémie Merlant, one of the other female figures of the year. After the shooting of Les Diables (2001) where Adèle Haenel was 12 years old and was attributed a very much sexualised character, she got sexually assaulted by the director, Christophe Ruggia. After her decision of leaving the cinema sphere for years now, what happened while she was minor led into a trial that is still waiting on a deliberation. Unfortunately, the media have been putting the focus on the “wrong” and not most important event; during the trial, Adèle Haenel could not take anymore of the violence of Christophe Ruggia and shouted “Shut the fuck up”.</p></div>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">She denounces the reality of manipulative and abusive behaviour of an influential adult on a child, especially in the cinema industry and how it steals one’s childhood. Adèle Haenel is admirable for her captivating acting, her will to fight back, her determination and for speaking up.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">Interview France Inter: https://www.youtube.com/watch?v=Dpc5BwPdWio</p>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;">We also owe to Portrait of a Lady on Fire the discovery of the talented Noémie Merlant, a French actress, director and singer. We saw her in 2024 with Emmanuelle (Audrey Diwan) as well as in The Balconettes directed by herself, released in theatres at the end of 2024. She delivers a feminist and powerful film, mixing comedy and horror. The film covers the matter of domestic violence, female friendships as well as toxic masculinity in an absurdist and almost vulgar tone.</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;"></p></div>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">Noémie Merlant also publicly announced her unconditional support for her colleague and dear friend Adèle Haenel, mentioned above.</p>
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    <table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" align="center" class="side-layout" style="width:100% !important;"><tbody><tr><td class="section-text-cell" style="padding-top:22px;padding-right:22px;padding-bottom:22px;padding-left:22px;">
      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;color:#313131;">To finish off with this week’s edition, we had to mention Margaret Qualley, especially for her outstanding acting in <em>Maid </em>(2021), a mini series created by Molly Smith Metzler and produced by Netflix. The episodes unravel the everyday life of a woman victim of domestic violence by the father of her daughter. She chooses to leave him and we get to follow her journey of working as a maid in order to provide for her daughter as well as herself. It is a tough and beautiful watch, carefully and respectfully depicting the reality of domestic abuse in regard of the victim. </p></div>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;">Of course, she got widely noticed this year with <em>The Substance </em>(2024) directed by Coralie Fargeat, one of the film that got most talked about for its graphic content, resulting in part of the audience leaving the screening room, its not so subtle message on feminism and its very trendy body horror genre. </p>
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