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      <h2 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.3685930369999997em;mso-line-height-alt:2.3685930369999997em;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:-.03em;text-align:center;"><strong>Nos Favoris du Mois</strong></h2><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:center;" class="">Ce n’est pas ce qu’il y paraît…</p>
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.333em;mso-line-height-alt:1.333em;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:.03em;text-align:justify;white-space:normal !important;line-height:1.2em;margin-top:0px;margin-bottom:0px;"><strong>David Lynch</strong></h4><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class=""></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Pour rendre hommage à l’un des réalisateurs les plus révolutionnaires et l’un des plus grands de l’histoire du cinéma, David Lynch doit être mentionné, essentiellement pour ce thème. Il a réalisé plusieurs films empreints d’éléments surréalistes, en plus d’être entre autres photographe, plasticien ou encore écrivain…</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Ses films peuvent laisser un sentiment d’incompréhension et de questionnement en partie grâce à ses fins ouvertes, permettant diverses interprétations personnelles, ainsi que ses narrations non-linéaires. Se plonger dans l’univers cinématographique de Lynch est un expérience imprévisible, sans jamais vraiment savoir à quoi s’attendre…</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class=""> </p>
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;font-size:1.333em;mso-line-height-alt:1.333em;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:.03em;text-align:justify;white-space:normal !important;line-height:1.2em;margin-top:0px;margin-bottom:0px;"><strong>Un Américain à Paris, 1951 - Analyse de décor</strong></h4><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;"></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;"><strong>Est-ce une chambre ? Une cuisine ? Un salon ?</strong></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Avec les prix constamment grimpant de l’immobilier, nombreux sont ceux qui doivent composer avec de petits espaces de vie, jonglant entre optimisation, personnalisation et esthétique. Ce type de vie urbaine se fait tout particulièrement connaître avec la création des chambres de Bonne dans le Paris d’Haussmann terminée en 1870.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Souvent choisies comme décors en littérature et au cinéma – de La Chambre de Giovanni de James Baldwin à l’interprétation (un brin trop romantisée) d’Emily in Paris – elles ont aussi inspiré Vincente Minnelli et Cedric Gibbons pour la mise en scène du film iconique <em>Un Américain à Paris</em>.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Le film raconte l’histoire de Jerry Mulligan, un jeune peintre américain installé dans le Paris d’après-guerre, qui tombe sous le charme de la belle Lise.. déjà promise à un chanteur de cabaret.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">En cliquant sur cette image, vous accéderez à une vidéo d’une minute retraçant la routine matinale de Jerry Mulligan. On le voit transformer, en un tour de main et grâce à des astuces  ingénieuses, sa chambre en cuisine, puis en salon. Son lit disparaît au plafond, la table se déploie et roule… Pas besoin de transitions complexes ni de changements de cadre : la pièce se révèle tout simplement sous nos yeux, s’adaptant aux besoins de son habitant.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class=""> </p>
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.333em;mso-line-height-alt:1.333em;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:.03em;text-align:justify;white-space:normal !important;"><strong>Trompe-l’œil – Palazzo Spada</strong></h4><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class=""></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Si le terme trompe-l’œil a été inventé par l’artiste Louis-Léopold Boilly pour titre de l’une de ses œuvres exposées au Salon de Paris en 1800, la création d’illusions architecturales est en réalité une pratique bien plus ancienne. On en trouve déjà des traces à Pompéi, ce qui permet de dater cette pratique à&nbsp; l’Empire romain, et il semblerait que ce soit aussi une caractéristique courante des habitations de la Grèce antique.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Cette semaine, nous nous penchons sur une œuvre en particulier : l’illusion d’optique du Palazzo Spada, réalisée par l’architecte italien Francesco Borromini lors de la rénovation du palais pour le Cardinal Spada vers 1632. Son défi ? Donner l’illusion que cette galerie s’étend sur une quarantaine de mètres, avec pour point de convergence une immense statue du dieu romain Mars. En réalité, celle-ci ne mesure que huit mètres de longueur. À l’époque, pouvoir s’offrir un tel chef-d’œuvre était une manière d’affirmer son statut social ainsi que de permettre aux artistes de mettre en avant leur maîtrise de la perspective.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">Encore aujourd’hui, de nombreux trompe-l’œil se cachent un peu partout à Paris. Par exemple, lors de votre prochain passage dans le 4ᵉ arrondissement, plus particulièrement rue Quincampoix, vous pourrez retrouver le trompe-l’œil d’un immeuble réalisé par Fabio Rieti pour masquer une tour d’aération du centre culturel de Beaubourg en appartement</p>
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.333em;mso-line-height-alt:1.333em;margin-top:0;font-family:'Lucida Grande', 'DejaVu Sans', 'Bitstream Vera Sans', Verdana, sans-serif;letter-spacing:.03em;text-align:justify;white-space:normal !important;"><em><strong>Les Autres</strong>&nbsp;</em><strong>- Alejandro Amenábar, 2001</strong></h4><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;"></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;" class="">“Les Autres” est un film d’horreur et de suspense réalisé par Alejandro Amenábar. On y suit l’histoire d’une famille composée d’une mère, incarnée par Nicole Kidman, figure protective et modèle de référence pour ses deux enfants qui semblent sous une menace constante après l’arrivée de nouveaux servants dans leur grand manoir.&nbsp;&nbsp;</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Lucida Bright', 'DejaVu Serif', 'Bitstream Vera Serif', 'Liberation Serif', Georgia, serif;text-align:justify;white-space:normal !important;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Regarder ce film est une expérience immersive grâce à la construction graduelle de la tension sous-jacente que l’on ressent et fait que le plot twist est d’autant plus perturbant et imprévisible.</p>
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